- 正在播放《黄石第一季链接》HD中字 - 百度云
- 提醒不要轻易相信视频中的任何广告,谨防上当受骗
- 技巧如遇视频无法播放或加载速度慢,可尝试切换播放节点或者切换解析
- 收藏风暮岛影视网址:www.fmdai.com / www.fmdai.com ,记得收藏哟~
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence H[展开全部]
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.更多《黄石第一季链接》在线播放全集免费、黄石第一季链接免费高清点播、黄石第一季链接完整版迅雷相关剧情资源,请持续关注风暮岛影视![收起部分]